![]() ![]() "-" denotes a recording that did not chart or was not released in that territory.ĮPs List of extended plays, showing selected details Mixtapes List of mixtapes, showing selected details Sh-Boom to Super Rock: 10 LP's that made an impact.American rapper A Boogie wit da Hoodie has released four studio albums, two mixtapes, 33 music videos, four extended plays (EPs) and 49 singles (including twenty-three as a featured artist).Īlbums Studio albums List of studio albums, with selected chart positions, sales figures and certifications.These days, I'm taking to heart "A Rich Kind of Poverty" and, especially, "The Good Runs The Bad Away," hoping, believing, that in this crisis that's as true a notion as Sam & Dave and their band make it feel. And it rocks and grooves like little else. It remains one of my all time favorite albums, eleven songs of desperation and redemption sung and played with poise and grace, somehow both rough and tender. ![]() I can't say that I understood all of the moods and emotions and ideas that these two men sang so searingly and beautifully about, but I somehow understood anyway, so transcendent was their singing and performances. I bought the album for a quarter, brought it home, and it's safe to say this scratchy introduction to the brilliance of Sam Moore and David Prater, the Stax Sound, and the ensemble playing of the MGs utterly changed my life. I was instantly taken with these two cool-looking dudes in their sharp tailored suits striking righteous poses the mod avocado-green graphics sealed the deal. One day when I was 12 or 13 I was bumming around at a garage sale in suburban Maryland, eyeing the Mack Bolan paperbacks and (surreptitiously) vintage Playboy's when this album, sitting in a crate below the table, caught my attention. Points docked for including the tracks Jerry Lee Lewis re-recorded for Smash, but when bottom-line Pickwick was in charge, you couldn't have it all!Īt one point, one of my older brothers dropped the record and chipped off a piece-photographic evidence below-rendering two Bill Haley cuts forever unplayable, but, hell, they were easy enough to find! The irresistible blend of street doo wop, pre-Beatles radio pop, rockabilly, and the hangover-vibe of the Champs' "Too Much Tequila" was as much of an education and a head trip for me as any album I fell I love with as a kid. I was semi-convinced that the woman on the cover was actually Loretta Switt from M*A*S*H*, gone undercover. The "two platters" of this Pickwick bargain bin album were in high rotation in the family rec room when I was a kid, and like the Dick Clark comp, the songs spanned styles, eras, and grooves, Fats Domino and The Big Bopper to Dusty Springfield and Ray Stevens (!). I'm sticking with cut-rate comps for my second of the 10 albums that have most impacted me. To go from "Sh-Boom" to "Super Fly" in one afternoon was quite a trip! I also recognize now that this album hugely influenced my lifelong definition of rock and roll: that is, something that transcends the tyranny of taxonomy, labels be damned! I can't claim that as a kid I understood the darker currents and complex emotions underneath the irresistible, radio-friendly surfaces of some these songs, especially on sides three and four, yet everything got in me and has permanently stayed there, soundtracking my adolescence, and articulating much of what I didn't yet understand, a veritable life's education in 30 songs. I was a kid when it came out, and I can't understate the effect that the album's epic blend of doo wop, girl group, rock and roll, R&B, AM pop, garage, soul, and gospel had on me. I'm not quite sure how this compilation ended up in the Bonomo rec room, but I spun it to death for many years. I'm going way back for number one, a no-brainer and among the earliest albums I remember falling in love with. ![]()
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